Tag Archives: national geographic

How did National Geographic get those great shots?

I’ve always been a fan of Nation­al Geographic’s pho­tog­ra­phy — and how could you not be? The Nation­al Geo­graph­ic Soci­ety pho­tog­ra­phers have pro­duced some of the best images of the last cen­tu­ry.

And now, you can learn how Nation­al Geo­graph­ic pho­tog­ra­phers get their shots with a new pho­to-mag­a­zine app, 50 Great­est Pho­tographs of Nation­al Geo­graph­ic.

Some of the more inter­est­ing fea­tures of the app include:

  • Learn the sto­ries behind these icon­ic pho­tographs from the pho­tog­ra­phers them­selves, and see videos explain­ing how they cap­tured their shots.
  • See the sequence of images made by the pho­tog­ra­phers in the field, and find out just how the “per­fect shot” hap­pened.
  • Share Nation­al Geographic’s 50 Great­est Pho­tographs with your friends through email and Face­book.
  • Con­nect with Nation­al Geo­graph­ic magazine’s com­mu­ni­ty by view­ing our top user-sub­mit­ted pho­tographs or sub­mit­ting your best pho­tographs.
  • Nation­al Geo­graph­ic mag­a­zine attracts the world’s finest pho­tog­ra­phers. Here is your chance to learn more about them.

Well worth the addi­tion to your iPad Dark­room library. Obvi­ous­ly, this app excels on the larg­er dis­play of the iPad — it’s not avail­able for iPod Touch or iPhone.
In the App Store — $4.99.

Digital Images — Digital Darkroom — Part One

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Some­thing about work­ing on the iPad to edit and share my images reminds me of the fun I had with the wet-film-paper work­flow that used to be the norm in film-based dark­rooms.

For me, the act of cap­tur­ing the image with a cam­era is only one part, the first part, of the cre­ative process.

What to shoot?
Sure, with­out the ini­tial image, all the cool dark­room tricks are mean­ing­less — take a pic­ture of a white sheet of paper and see how cool it looks with a sepia fil­ter applied, or a Hip­ster grain. Inter­est­ing sub­ject mat­ter is essen­tial.
Con­tin­ue read­ing Dig­i­tal Images — Dig­i­tal Dark­room — Part One